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Essentials of Glycobiology—Part 10 (Nutrient Availability)

8/20/2024

4 Comments

 

Larry A. Law

In the National Academy of Science October 2012 publication, scientists quote a study which said, "Unlike nucleic acids and proteins, the structures of glycans are not 'hard-wired' in the genome. Because of the multiple linkages that sugars can engage in that produce isomers and branching patterns, glycan structures cannot accurately be described as simple linear sequences of building blocks. Rather, a glycan's most basic structure must be described in three dimensions. Because glycan structures are not template encoded, they are plastic, reflecting myriad factors determined by cellular metabolism, cell type, developmental stage, nutrient availability, other cues from the cell's environment and stochastic events." Let me unpack this incredible statement in the next paragraph. I think you will be as completely awestruck as I was the first time I read it and comprehended what scientists were actually admitting.
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Nutrient Availability

Nucleic acids are large biomolecules that are crucial in all cells and viruses. The two main classes of nucleic acids are deoxyribonucleic acid (DNA) and ribonucleic acid (RNA). So, the statement is saying that unlike DNA, RNA, and proteins, glycan structures are not built using a template or blueprint. They are way more complex. The geometric structures they form resemble bushes and trees. The leaves on the trees are the sugars. The trees (glycan structures) branch out and bend in a multitude of three-dimensional ways that we do not understand. It appears to scientists that many factors influence, but do not control, the development of these complicated antenna structures. Note that stochastic (in the first paragraph) means random events that happen in nature for no discernable reason. Multiple factors seem to influence glycosylation (the adding of glycans to proteins/lipids to form these antennas). This implies that glycosylation is not genetic. Genes do not control it. Something above the genes (epigenetics) is at work. 

The one factor that struck me most vividly was the term nutrient availability. Scientists are reluctantly saying that food is a critical factor. Good food provides the nutrients (including required sugar nutrients) needed to make these structures. We are what we eat especially at the cell level! We have much more control over our health and wellness than scientists and doctors have ever led us to believe. You are not a victim of your genetics.
4 Comments
Kelsie
8/20/2024 08:02:20 am

Wow that’s fascinating that they published that in 2012– thank goodness for you who can read it and share!

Reply
Larry Law
8/20/2024 06:42:00 pm

It was an oldie but goodie publication that I keep referring back to!

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Jason Dyck
8/20/2024 05:21:50 pm

Hey Larry, thank-you for all your hard work and dedication to making sure you understand what you unearth and then put it into bite/byte sized pieces and words that people should be able to understand.

As I was going through your discussion of DNA, RNA, proteins, and glycan structures, I was reminded of another way of describing it. Those people who are musicians should be able to understand the similarities of subtleties of playing music on a higher level in a performance situation. Here's my musical comparison. They are the ‘jazzy’, impromptu, and extemporaneous connectors, like great jazz musicians and accompanists who can add just the right amount of ‘fill’ at the just the right place to complement and complete a song. I get to do that when playing for musicals. I don’t play the main piano part, but I love to play with various buttons on my keyboards and pick a sound or two or three for whatever song is being sung on stage at the time. I don’t simply stick with notes that are written, but also play notes that are not written which complement the song. Other musicians play the notes that are written, and yet there’s still a lot that can be added, and that’s where I come in. I understand the basic structure of the song, but it’s difficult to explain exactly how I do what I do, but it complements the song perfectly, and over the course of four or five final rehearsals when everything begins to mesh for the whole performance, and through the six performances, the show is an everchanging and complex visual and auditory panorama that is not done exactly the same way every time, so I hear what I would refer to as subtle differences that influence what I will play on any given rehearsal and performance. Those subtle differences and nuances I can’t and don’t prepare for. What I prepare for is my heart and mind to be in tune with what I hear and feel or sense from the stage. All great musicians “play to the audience”, and in the case of a musical, they play to the cast as the cast plays to the audience. It happens in the blink of an eye, or rather, in the wiggle of an ear? It’s quite automatic. When I add dinner music to a special occasion, I listen to what people are saying because almost any word, gesture, or unexpected sound can remind me of a song, and if I know the song I will play it. The people most likely don’t realize that something they said might be the catalyst for the song they’re hearing shortly thereafter, but for me it’s an integral part of the ambience I create.

Reply
Larry Law
8/20/2024 06:40:51 pm

Great analogy Jason—thanks for sharing your musical insight!

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